Side chair 1879 Herter Brothers William H. Vanderbilt, fils de Cornelius “Commodore” Vanderbilt, a hérité d'une fortune considérable et d'une activité lucrative de transport, qu'il a développée de façon exponentielle, devenant l'un des hommes les plus riches en Amérique.En 1879, pour marquer son statut social et économique élevé, il a construit un manoir qui couvrait un bloc entier de la ville sur la Cinquième Avenue, entre cinquante-première et cinquante-deuxième rues.Il a chargé Herter Brothers, l'une des premières firmes d'ébénistes de New York, de décorer et de fournir sa maison.En concevant des schémas décoratifs distincts pour chaque chambre des mans

• Contributeur: MET/BOT / Alamy Banque D'Images
• ID de l’image: 2HH7C11
• Taille du fichier: 31,4 MB (1 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 2841 x 3860 px | 24,1 x 32,7 cm | 9,5 x 12,9 inches | 300dpi
• Date de la prise de vue: 21 janvier 2022

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Side chair 1879 Herter Brothers William H. Vanderbilt, son of Cornelius “Commodore” Vanderbilt, inherited a vast fortune and a lucrative transport business, which he expanded exponentially, becoming one of the wealthiest men in America. In 1879, to mark his elevated social and economic status, he built a mansion that spanned an entire city block on Fifth Avenue, between Fifty-First and Fifty-Second Streets. He commissioned Herter Brothers, one of the premier cabinetmaking firms in New York City, to decorate and furnish his home. In devising distinct decorative schemes for each room of the mansion, Herter Brothers drew inspiration from a wide range of historical styles and utilized expensive, exotic materials. Vanderbilt’s library was conceived as a masculine, solemn, and quiet space to house antique works of art and bound volumes. The woodwork and furnishings were rosewood carved in a Renaissance style and inlaid with brass and mother-of-pearl swags utilizing a graduated pearl motif, recalling a similar leitmotif from the drawing room. The ceiling was embellished with gold and small pieces of mirror glass. The delicacy of this side chair, one of a pair, belied the heaviness and monumentality of the room, notably the large library table, also in the Museum’s collection. The design on the chair’s back is virtually identical to that adorning each corner of the tabletop. The sumptuous quality of the room was accentuated by its fabric wall covering and upholstery in a rich cut velvet design, a contemporary replication of which now covers the chair.. Side chair. American. 1879. Rosewood, brass, mother-of-pearl, and reproduction upholstery. Made in New York, New York, United States