SIMONE MARTINI (1280/85, Sienne, d. 1344, Avignon) méditation 1312-17 fresque, 390 x 200 cm Cappella di San Martino, église inférieure, San Francesco, assise a partir de l'entrée de la chapelle, de gauche à droite et de haut en bas, les murs latéraux et le plafond voûté en canon sont fresques avec des scènes de la vie de Saint Martin : au niveau inférieur, la Division de la cape, le rêve, Saint Martin est fait chevalier et renonce à ses armes; au niveau intermédiaire, le Miracle de l'enfant ressuscité, la méditation, la Messe miraculeuse et le Miracle du feu ; au niveau supérieur, nous trouvons le dernier

• Contributeur: Carlo Bollo / Alamy Banque D'Images
• ID de l’image: 2Y977XJ
• Taille du fichier: 25,7 MB (1,5 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 2244 x 4000 px | 19 x 33,9 cm | 7,5 x 13,3 inches | 300dpi

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Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

SIMONE MARTINI (b. 1280/85, Siena, d. 1344, Avignon) Meditation 1312-17 Fresco, 390 x 200 cm Cappella di San Martino, Lower Church, San Francesco, Assisi Starting from the entrance of the chapel, from left to right and from top to bottom, the side walls and barrel-vaulted ceiling are frescoed with scenes from the life of St Martin: on the lower level, the Division of the Cloak, the Dream, St Martin is Knighted and Renounces his Weapons; on the middle level, the Miracle of the Resurrected Child, Meditation, the Miraculous Mass and the Miracle of Fire; on the top level we find the last two episodes, Death and Burial of the Saint. The episodes depicted in the middle level illustrate the last part of the saint's life, after 371 when Martin was nominated Bishop of Tours, as we can see from his mitre. In the bay to the left of the entrance we find the scene of the Meditation. In a state of profound spiritual ecstasy, Martin sits on a simple faldstool (the same one that Emperor Julian was sitting on in the scene of Martin renouncing arms), while two acolytes try to bring him back to reality so he can celebrate mass in the chapel nearby: one of them is shaking him gently, and the other is handing him his missal. The two architectural spaces, parallel but of different depth, are geometrically so simple and bare that they appear to reflect the Saint's mood of profound absorption in prayer: the only decorative elements are the horizontal Greek key design on the wall and the quatrefoiled ornament in the arch above the mullioned windows. --- Keywords: -------------- Author: SIMONE MARTINI Title: Meditation Time-line: 1301-1350 School: Italian Form: painting Type: religious

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