'Trois arbres de l'inde', folio d'un Baburnama (autobiographie de Babur). Dimensions : H. 9 13/16 in.(25 cm) O. 5 1/8 in. (13 cm). Date : fin du 16e siècle. Le Baburnama, un des textes les plus importants de la période moghole, donne une idée de l'œuvre littéraire, intellectuel, culturel et monde de Babur (1483-1530), fondateur de l'empire Moghol. Le Baburnama est surtout célèbre pour ses observations du monde naturel de l'Inde, un aspect du texte plus agréablement capturés dans le sujet ici. La page présente trois arbres : un sur le recto (jacquier) et deux sur le verso (jac singe

• Contributeur: Album / Alamy Banque D'Images
• ID de l’image: PAY0K4
• Taille du fichier: 33,1 MB (2,4 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 2628 x 4400 px | 22,3 x 37,3 cm | 8,8 x 14,7 inches | 300dpi
• Photographe: Album

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Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

"Three Trees of India", Folio from a Baburnama (Autobiography of Babur). Dimensions: H. 9 13/16 in.(25 cm) W. 5 1/8 in. (13 cm). Date: late 16th century. The Baburnama, one of the most important texts of the Mughal period, provides insight into the literary, intellectual, and cultural world of Babur (1483-1530), founder of the Mughal empire. The Baburnama is especially celebrated for its observations of India's natural world, an aspect of the text most pleasingly captured in the subject matter here. The page depicts three trees: one on the recto (jackfruit) and two on the verso (monkey jack and lote). Interspersed among the images are texts in nasta'liq Persian script describing the trees and their fruits. During the reign of Babur's grandson Akbar (1556-1605), four imperial copies of the Baburnama were created, each illustrated by leading artists of the royal atelier. This folio comes from the earliest of these copies, the 1589 manuscript, which was likely a model for the later versions. It is thought originally to have contained 191 illustrations, many of which were dispersed in 1913, with a substantial portion remaining in the Victoria and Albert Museum, London. The collaboration between two or more artists, as seen here, was typical of early Mughal workshop practice. Museum: Metropolitan Museum of Art, New York, USA.

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