Un traité sur les gravures en bois : historique et pratique . DE SANDFORD ET MERTON. M. H. Anelay est bien connu du public en tant que rapporteur pour avis sur le bois, en particulier dans les départements du portrait et du dessin de la figure. Le présent exemple, tiré de l'édition Illustrée de Bohns de Sandfordand Merton, est gravé par M. Measom, dont la pratique est extensiveet de longue date. Plusieurs des figures en Merrie Days of England, récemment publiées par Kent and Co., et en FavoriteEnglish Poems, publiées par Low and Co., sont par lui. RA* 57() ARTISTES ET ENOTEAVERS DE LA PRÉSENTE JOURNÉE. JOH&GT ; BSU I.O.

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A treatise on wood engravings : historical and practical . FROM SANDFORD AND MERTON. Mr. H. Anelay is well known to the public as a draughtsman onwood, especially in the departments of portrait and figure drawing.The present example, taken from Bohns Illustrated edition of Sandfordand Merton, is engraved by Mr. Measom, whose practice is extensiveand of long standing. Several of the figure subjects in Merrie Days ofEngland, recently published by Kent and Co., and in FavouriteEnglish Poems, published by Low and Co. are by him. ra* 57() ARTISTS AND ENOtEAVERS OF THE PRESENT DAY. JOH> BSU I.O.N MILES STANDI8H. THOMAS BOLTUM Me. J. Absolon has for many years been an illustrator of poprilarStory books and poems, most of which have been published or editedby Mr. Cundall. Among them may be named, Favourite EnglishPoems, published by Low and Co., in 1859 ; Ehymes and Roundelayes, Jioutledge, 1858; Goldsmiths Poetical Works; and Lockharts SpanishBallads, published by Murray. The present specimen is from BohnsIllustrated edition of Longfellows Poems, in which the Miles Standishis chiefly illustrated by the designs of Mr. Absolon, and entirely engravedby Me. Thomas Bolton, an artist of considerable repute, whose nameappears in many of the books quoted in these pages, and among others, in the Poems and Songs of Eobert Burns. Mr. Bolton has just invented a process by which the powers ofphotography may be applied direct to the production of subjects fromnature or art on wood, and from which the engraving can be made with-out the intervention of drawing. We annex his fi

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