Vie de James McNeill Whistler, église, eek . London Wall. Il portée à Whistler pour un bon ami des années tumultueuses qui étaient à venir,et Mme maison Whistlers dans Wimpole Street a été pour longtemps une maison tohim. Le premier était un prêt Grosvenor, exposition et a ouvert ses portes en mai 1877.Whistler envoyé Nocturne en noir et or-shownat la fusée chute les Dudley ; l'harmonie dans l'ambre et Blacky le premier titre de l'Arrangement en TheFur ; Veste ; Irving Brown comme Philip II. d'Espagne,avec la propriété en noir, n° III. De Mme Leylandcame Nocturne en bleu et argent ; de M. W. Graham anotherNocturne

• Contributeur: The Reading Room / Alamy Banque D'Images
• ID de l’image: 2AJ7RF9
• Taille du fichier: 7,1 MB (289,9 KB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 1746 x 1431 px | 29,6 x 24,2 cm | 11,6 x 9,5 inches | 150dpi

Informations supplémentaires

Cette image appartient au domaine public, ce qui signifie que le droit d’auteur a expiré ou que le titulaire du droit d’auteur a renoncé à ses droits. Les frais facturés par Alamy couvrent l’accès à la copie haute résolution de l’image.

Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

Life of James McNeill Whistler, . eek Church, London Wall. It broughtto Whistler a good friend for the troubled years that were to come, and Mrs. Whistlers house in Wimpole Street was for long a home tohim. The first Grosvenor was a loan exhibition, and opened in May 1877.Whistler sent Nocturne in Black and Gold—The Falling Rocket shownat the Dudley ; Harmony in Amber and Blacky the first title of TheFur Jacket; Arrangement in Brown; Irving as Philip II. of Spain, with the title Arrangement in Black, No. III. From Mrs. Leylandcame Nocturne in Blue and Silver ; from Mr. W. Graham anotherNocturne in Blue and Silver—changed later by W7histler to Blue and Gold, Old Battersea Bridge, now at the Tate Gallery ; from the Hon. Airs.Percy Wyndham, Nocturne in Blue and Gold, at Westminster. TheCarlyle was included, but it arrived too late to be catalogued. Boehmlent his bust of Whistler in terra-cotta, done in 1872, considered at thetime a good portrait. Whistlers work was also seen in a frieze, described by Mr. Walter152 [1877. NOCTURNEBLUE AND GREEN OIL In the possession of W. C. Alexander, Esq. (See page 112) The Grosvenor Gallery Crane : Whistler designed the frieze—the phases of the moon on thecoved ceiling of the West Gallery which has disappeared since itsconversion into the ^Eolian Hall, with stars on a subdued blue ground, the moon and stars being brought out in silver, the frieze being dividedinto panels by the supports of the glass roof. The phases weresufficiently separated from each other. We have heard of this decoration from no one else. Probablyit was overshadowed by the crimson silk damask and green velvet hang-ings, the gilded pilasters and furniture, the monumental chimneypiece, of which complaints were heard from every side. The sumptuous-ness of the background was disastrous to the pictures. Whistlerssuffered less than others, but were not liked the more on that account.Before the private view (April 30, 1877), Sir Coutts Lindsay hadexpressed his disappoi

Recherche dans la banque de photos par tags

• bookcentury1900
• bookdecade1910
• bookpubl
• livresubjectamericanart