. Des croquis de grands peintres pour les jeunes. comme il a été vacant,malgré les promesses ou des revendications. Heasked aussi, que l'État devrait lui permettre deux assistants forhis travailler, ainsi que le matériel nécessaire pour qu'elle.s'il n'a pas obtenu tout ce qu'il a demandé, il a décidé toremain à Venise. En 1516, il a obtenu le courtier-navire, mais non sans beaucoup de peine.Désireux en tant qu'il a été d'obtenir ce poste, qui lui a demandé le topaint les portraits des doges et terminer le decora-tive des peintures dans la salle du Conseil, il était tellement neglectfulof ses fonctions que les Vénitiens ont menacé d'deprivehi

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. Sketches of great painters for young people. as it was vacant, notwithstanding previous promises or claims. Also, heasked that the state should allow him two assistants forhis work, as well as the materials necessary for it.Though he did not get all he asked for, he decided toremain at Venice. In 1516 he obtained the broker-ship, though not without a great deal of trouble.Eager as he was to get this office, which required him topaint the portraits of the doges and finish the decora-tive paintings in the Council Hall, he was so neglectfulof his duties that the Venetians threatened to deprivehim of the brokership.- Then he was obliged to finishthe frescoes, though his heart was in the many pictureshe was painting for the princes of Europe who desiredto possess his works. The young painter did not at first gain a place in thehearts of his fellow-citizens. It was not until his praiseshad been sounded at Ferrara, Bologna, and Rome, thatVenice began to honor him. He was for some years aprophet not without honor save in his own country.. The Assumption of the Virgin.94 TITIAN. 95 When one sees to-da}^ the Assumption of the Virginoccupying a sort of throne in the Venetian Academy, it is hard to believe that the painter suffered manydoubts and annoyances while painting it. Fra Marco, who ordered it at his own expense for the Churchof Santa Maria de Frari, wavered from time to timein his opinion of it, and kept the artist in an uncom-fortable uncertainty in regard to its final acceptance.Day after day, the monks passing in and out of the con-vent annoyed him with their ignorant criticisms. Theywould shake their heads under their hoods, saying thatthe apostles were too large, or that the color of theVirgins robe was not as it should be. At last anenvoy of the emperor saw the painting and offered alarge sum for it. Then Fra Marco concluded not tolet the picture go at any price. He provided a richgold frame for it, and very soon all adverse criticismswere forgotten. It is now num

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