. Des croquis de grands peintres pour les jeunes. meto leur donner le confort. Tous les sens mystérieux des aweand crainte qui rempli le cœur des disciples comme theyrecognized leur maître, qu'ils savaient qu'beenplaced dans le tombeau, est exprimée dans les visages des thesemen. On regarde avec foi et d'adoration comme Lavis est révélé à lui ; l'autre regarde avec ques-tionnement yeux ; et le serviteur n'est émerveillé tosee tels l'émotion sur les visages de ceux qu'il n'est serv-ing. La figure du Christ est entouré d'un mysteriousradiance, ce qui contribue à le rendre très impressionnant,et il me semble que les t

• Contributeur: The Reading Room / Alamy Banque D'Images
• ID de l’image: 2AGEDNC
• Taille du fichier: 7,1 MB (446,1 KB Téléchargement compressé)
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• Dimensions: 1526 x 1637 px | 25,8 x 27,7 cm | 10,2 x 10,9 inches | 150dpi

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. Sketches of great painters for young people. meto give them comfort. All the mysterious sense of aweand dread that filled the hearts of the disciples as theyrecognized their Master, whom they knew to have beenplaced in the tomb, is expressed in the faces of thesemen. One looks with faith and adoration as theMaster is revealed to him ; the other looks with ques-tioning eyes ; and the servant is filled with wonder tosee such emotion on the faces of those whom he is serv-ing. The figure of Christ is surrounded by a mysteriousradiance, which helps to render it deeply impressive, and it seems as though no picture could express moretouchingly the sentiment of the scene, the wonder, thesense of mystery, and the strange joy in the hearts ofthe disciples. The light in the picture is treated withmarvelous skill ; the figures and objects all seem to IP. 2 SKETCHES OF GREAT PAINTERS. emerge out of the shadow and then sink back into itagain. Seven years after the death of Saskia, a young womannamed Hendricka StoffeLs took charge of Rembrandts. The Disciples at Emmais. son Titus. From this time the painter had once morea home and a fireside. A fine portrait of her is at theLouvre, and there are other pictures of her, for sheseemed always ready to aid Rembrandt in every way. REMBRANDT. 163 There is a good deal of uncertainty about his life atthis time, as at every other, but he is thought to havemarried Hendricka in 1656. For a number of years Rembrandts money affairshad been getting into a complicated state. Manythings had caused this. His property had lessened invalue on account of troubles in the country. More-over, he disliked having anything to do with business, and was careless and improvident. Though his habitsof life were simple and he always lived quietly, he spentmoney lavishly for the things that interested him. Hehad a large and valuable collection of rare pictures, richstuffs, armor, and antiquities. The list of these thingsis interesting, as it throws some light on t

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